New Delhi, Jan 10 (NationPress) A recently released scholarly work has shed new light on the historic wall paintings of Orchha, Madhya Pradesh, by categorizing them as a unique and self-sufficient artistic tradition known as the 'Orchha Kalam'.

The publication, titled Orchha Kalam, is co-authored by Dr. Vishwapati Trivedi, IAS (Retd), a former Secretary to the Government of India, along with Mona Trivedi. Their research spans over four decades and includes rare photographic documentation and comprehensive studies.

The authors first discovered these remarkable murals in the late 1970s, when they noted a concerning trend of neglect and vandalism affecting Orchha’s ancient wall paintings.

Worried about the lack of systematic records, they initiated a thorough photographic survey of the artworks, initially aided by a research grant from the Indian Council of Historical Research (ICHR).

Orchha, a historic town in Madhya Pradesh, holds a special place in India. Alongside Ayodhya, it uniquely honors Lord Rama not just as a deity but as the reigning monarch of the town.

The centerpiece of this devotion is the Chaturbhuj Temple, which is dedicated to Lord Rama in his four-armed form. Constructed by Queen Ganesh Kunwar, the wife of Raja Madhukar Shah, in the late 16th century, its impressive spire and grand architecture make it one of Orchha's most notable landmarks.

Next to it lies the Raj Mandir (also referred to as Raja Mahal), built by Raja Madhukar Shah during his reign from 1554 to 1591. This palace-temple complex is adorned with exquisite murals and frescoes depicting scenes from the Ramayana, showcasing the artistic excellence of the Orchha painting tradition.

Over the past four decades, despite various professional obligations and periods abroad, the couple has persistently pursued their research. They collaborated with leading international institutions and art historians, utilizing rare photographic evidence and in-depth analysis to establish the paintings as a distinct school.

The book features rare visuals, detailed record-keeping, and expert interpretations, making it an invaluable resource for researchers, students, art historians, and conservationists.

By emphasizing the 'Orchha Kalam', the publication aims to foster awareness regarding the necessity for long-term preservation of these delicate cultural artifacts, vividly portraying Bundela royal life, mythology, and historical narratives.

This work accentuates Orchha's significance within India's mural painting legacy, contributing to broader initiatives aimed at preserving sites like the palaces and temples adorned with these artworks.