Adah Sharma on Gajra: 'These things happen in real life around us'
Synopsis
Key Takeaways
Actress Adah Sharma says audiences are entirely right to scrutinise films that carry a 'based on true events' label — and that the tag comes with a responsibility filmmakers cannot afford to treat lightly. Her remarks come ahead of her Marathi-language debut, Gajra, a film she describes as unsettling precisely because the incidents it depicts are not confined to the past.
What drew Adah Sharma to Gajra
'Based on true events isn't something that should be used as a marketing gimmick,' Sharma said. 'I think audiences are absolutely right to ask questions.' She added that what drew her to the project was not merely the real-world inspiration, but 'the sincerity with which the story is told — it's rooted in human emotions, relationships, and the consequences of the choices people make.'
Why Gajra unsettles its audience
Sharma was pointed about what she sees as the film's most disturbing quality. 'The scariest part of Gajra isn't that it's inspired by true events,' she said. 'It's that it reminds you these things can happen in real life, are happening all around us. But we choose to not speak about them.' The observation cuts to a wider silence around certain social realities — a theme the film, directed by Shreyas Jadhav, appears to place at its centre. Gajra is slated for release in 2027.
Adah Sharma's recent work
Sharma's current release is Governor: The Silent Saviour, a film starring National Award-winning actor Manoj Bajpayee in the lead. The film draws on the events surrounding the 1990 Indian economic crisis and explores the institutional relationship between the Reserve Bank of India (RBI) and the Government of India. Produced by Vipul Amrutlal Shah under the banner Sunshine Pictures, Governor released on 12 June.
The broader conversation on 'based on true events' cinema
Sharma's candour reflects a growing tension in Indian cinema, where the 'based on true events' claim has become a frequent marketing lever — sometimes at the cost of accuracy or sensitivity. Notably, this is not the first time the phrase has drawn audience pushback; several recent releases have faced scrutiny over how loosely they interpret their source material. Sharma's position — that sincerity of storytelling, not the label itself, is what earns credibility — signals a more exacting standard that audiences and filmmakers alike are beginning to hold each other to.
With Gajra still a year away, how the film handles its real-world basis will be closely watched.