Madhur Bhandarkar: independent filmmakers don't belong to any coterie
Synopsis
Key Takeaways
Filmmaker Madhur Bhandarkar has said that independent directors like himself operate outside the established power circles of Bollywood, asserting that they are not part of any lobby, gang, or coterie in the film industry. He made the remarks while attending the 14th edition of the Jagran Film Festival in Mumbai on 21 August.
Outside the Industry Circles
Bhandarkar was candid about the realities of working as an independent filmmaker in a highly networked industry. 'As independent filmmakers, we are not in a lobby or a gang or a coterie,' he said. He acknowledged the unpredictability of the business, noting, 'No one knows what will work at the box office. And when it will work. And what the audience will like.'
A Career Rooted in Society
Looking back at a filmography that includes 'Chandni Bar', 'Page 3', 'Fashion', and 'Heroine', Bhandarkar spoke about his commitment to socially rooted storytelling. He shared that he typically spends two to three years between projects to research and deeply understand the world he intends to portray — a deliberate pace that sets him apart from mainstream commercial production cycles.
OTT and YouTube: A Second Life for His Films
Bhandarkar credited OTT platforms and YouTube for giving his films renewed relevance, allowing younger audiences to discover titles years after their original theatrical release. This digital afterlife, he suggested, has broadened his audience base significantly and introduced his work to a generation that missed it in cinemas.
Audience as the True Measure
Reflecting on the enduring impact of 'Chandni Bar' — a film that continues to resonate 20 to 25 years after its release — Bhandarkar said the connection with viewers matters more than box-office returns. 'Our wealth is the audience. Because of the audience, we are here. They love us. People remember us,' he said. For him, the lasting bond between a filmmaker and an audience represents the highest form of success in cinema. As his back catalogue continues to find new viewers through streaming, that bond, he believes, is what gives filmmaking its deepest meaning.