Gitanjali Angmo praises The Odyssey, says Bollywood must rediscover its role
Synopsis
Key Takeaways
Social entrepreneur and activist Sonam Wangchuk's wife Gitanjali Angmo used her praise of filmmaker Christopher Nolan's latest epic The Odyssey to deliver a pointed message to the Indian film industry, suggesting that Bollywood needs to reclaim its place as a cultural and intellectual force. Her post on X (formerly Twitter), published on 2 August, quickly drew attention for its implicit critique of Hindi cinema's ambitions.
What Gitanjali Angmo Said
Describing the film as a 'surreal' experience, Angmo wrote in her post: 'Watched Odyssey yesterday. Surreal to see on screen what was still a conversation when I accidentally met Christopher Nolan in New York in 2024. Its themes feel so familiar to the Indian imagination: the hero's journey, dharma and destiny, exile, temptation, homecoming, the human being tested and transformed along the way.'
She then pivoted to a broader argument about Indian cinema's untapped potential. 'India is sitting on a treasure-house of such epics. Imagine bringing them to cinema with scale, sensitivity and intellectual depth. Cinema is more than entertainment. It shapes minds. Perhaps Bollywood needs to rediscover its role as one of our most powerful classrooms,' she added.
The Wangchuk Backdrop
The post arrives in the wake of Sonam Wangchuk's high-profile 26-day hunger strike at Delhi's Jantar Mantar, during which he demanded the resignation of then-Union Education Minister Dharmendra Pradhan and called for systemic reforms following the NEET paper leak controversy. Wangchuk ended the fast on 23–24 July after meeting with Union Ministers, including J.P. Nadda. Dharmendra Pradhan subsequently resigned from his ministerial post on 25 July.
Bollywood's Silence — and One Exception
Notably, Aamir Khan — whose character in the 2009 film 3 Idiots is widely believed to have been inspired by Wangchuk — did not publicly support the activist during his hunger strike. In a media interaction, Khan reportedly denied having known about Wangchuk at the time 3 Idiots was made.
In contrast, actor Omi Vaidya, who played the character Chatur in the same film, was vocal in expressing support for Wangchuk. The divergence in responses from the 3 Idiots cast drew considerable public commentary.
Cinema as Classroom: The Larger Argument
Angmo's remarks echo a debate that surfaces periodically in Indian cultural discourse — whether mainstream Hindi cinema is doing enough to engage with the country's vast literary, philosophical, and mythological heritage. Her reference to India's 'treasure-house of epics' points to stories from texts such as the Mahabharata and Ramayana, which critics argue have rarely been adapted with the cinematic scale and intellectual rigour that international productions bring to comparable mythological material.
With The Odyssey reigniting global interest in epic storytelling, Angmo's post adds a fresh voice to the conversation — and, given the context of her husband's recent activism, carries weight beyond a simple film review. Whether Bollywood responds to the challenge remains to be seen.