Pashupati seal row: Hindu seers reject US historian's 'Eurasian deity' claim
Synopsis
Key Takeaways
A sharp cultural controversy broke out after Audrey Truschke, a US-based historian, challenged a post by India's Ministry of Culture that described a 4,300-year-old Harappan Pashupati seal as depicting 'Shiva-Pashupati'. Truschke countered on X on 27 May 2025 that the figure more likely derives from proto-Elamite iconography, representing an Eurasian deity described as 'lord of animals' — a claim that drew swift and fierce condemnation from Hindu religious leaders in Ayodhya.
What the Ministry of Culture Said
In its 27 May post on X, the Ministry of Culture described the steatite seal — discovered at Mohenjo-daro in undivided India — as showing a seated figure in yogic posture, specifically Mulabandhasana, surrounded by animals. The ministry stated: 'While ancient sites may lie across modern borders, India remains the living custodian of this heritage. The yogic posture, Shaivite symbolism, and spiritual ethos seen in the Pashupati Seal continue to thrive in India's temples, daily worship of Shiva, yogic traditions, and cultural life even today.' It further asserted that 'from the Vedic period to contemporary Bharat, this civilisational thread has remained alive and unbroken.'
Truschke's Counterpoint
Responding directly to the ministry's characterisation, Audrey Truschke wrote on X: 'This isn't Shiva. It's more likely adapted from proto-Elamite iconography, showing an Eurasian deity 'lord of animals'.' She added: 'Indian history is amazing, wonderful, and fantastic — It's well worth getting it right.' Truschke's position reflects a broader academic debate among archaeologists and historians, many of whom note that the Shiva identification of the Pashupati seal — while widely accepted in Indian cultural and religious discourse — remains contested in peer-reviewed scholarship.
Seers in Ayodhya Respond
Mahant Sitaram Das Maharaj of Ayodhya's Saket Bhavan temple condemned Truschke's remarks, saying: 'If international agencies will try to harm the history of India, it will not be tolerated at any cost.' He asserted that the seal 'undoubtedly represents Shiva-Pashupati' and is a symbol of India's Sanatan tradition, adding that Truschke 'does not have any knowledge about the history of India's Sanatan tradition.'
Mahant Deveshacharya Ji Maharaj called the historian's claim 'absolutely not acceptable' and urged that 'no country can run a propaganda to insult another nation.' He also called on Truschke to apologise and remove her post from X. Arya Sant Varun Das Ji Maharaj described the claim as 'completely misleading and negative,' alleging it was intended to sow confusion.
Context and What It Means
The Pashupati seal, unearthed at Mohenjo-daro — now in Pakistan — in the 1920s, has long been a focal point in debates over the continuity of Indic civilisation. The seal is housed in the National Museum of Pakistan in Karachi, yet its cultural significance is fiercely claimed by India as part of the shared Indus Valley heritage. Notably, this is not the first time the seal's religious identity has sparked controversy; academic literature has debated the Shiva attribution since at least the mid-20th century. The row arrives at a politically charged moment, with questions of civilisational ownership and cultural heritage increasingly entering mainstream public discourse in India.
The seers remain confident the historical record will ultimately affirm the seal's Shaivite identity, even as the academic debate shows no signs of resolution.