Kangana Ranaut visits Siddhivinayak, Mumba Devi temples on Nag Panchami
Synopsis
Key Takeaways
Actress and politician Kangana Ranaut visited two of Mumbai's most revered shrines — Shree Siddhivinayak Temple and Mumba Devi Temple — on Tuesday, 19 August 2025, seeking blessings a day after the spiritually significant occasions of Nag Panchami and Shravan Somwar. She shared a series of photographs from both visits on her social media accounts, offering followers a window into her devotional practice.
The Temple Visits
At the Siddhivinayak Temple, Ranaut was photographed standing with folded hands before Lord Ganesha, dressed in a traditional golden-yellow silk saree with her hair tied in a bun adorned with gajra. She completed the look with a red bindi and minimal jewellery. Photographs also captured her posing with devotees within the temple premises.
At the Mumba Devi Temple, she was seen carrying a basket of flowers and offerings as she prayed before the deity. Security personnel accompanied her as she navigated the crowded lanes surrounding the shrine.
Rudra Abhishek at Home
The temple visits came a day after Ranaut organised a Rudrabhishek ceremony at her residence on the occasion of Nag Panchami. She shared pictures of the ritual, showing herself participating in the ceremony and chanting mantras. She has consistently acknowledged major religious festivals through social media, extending greetings to her followers on such occasions.
Patriotism Through Fashion
Beyond her spiritual expression, Ranaut drew attention during the promotional campaign for her film 'Bharat Bhhagya Viddhaata', which released in theatres on 12 June 2026. Rather than adopting a single style, she used her wardrobe to spotlight India's handloom heritage — appearing in textiles including South Indian Kanjeevaram, Odisha's Kotpad, Maharashtra's Paithani, and Gujarat's Patan Patola, among others.
The gesture was widely noted as a deliberate celebration of India's diverse textile traditions, consistent with the film's patriotic theme. As both a filmmaker and a sitting member of parliament, Ranaut's public appearances — whether at temples or during film promotions — tend to carry dual cultural and political resonance.