Sukhwinder Singh on 'Dard-E-Disco': Why he still practices the alaap before every show
Synopsis
Key Takeaways
Veteran playback singer Sukhwinder Singh has opened up about the making and enduring musical complexity of 'Dard-E-Disco', the iconic track from the 2007 blockbuster Om Shanti Om, revealing that the song demands rigorous riyaaz even today before every live performance. The disclosure came during his appearance as a special guest on the singing reality show Indian Idol, airing on Sony Entertainment Television.
A Fusion That Was Never a Confusion
Sharing the stage with judges Vishal Dadlani and Shreya Ghoshal, Sukhwinder recalled the moment the composition was first taught to him. 'I was sitting alone listening when this composition was taught to me,' he said. 'We would continue learning and refining it with the music director on the microphone until it felt right.'
He described the song's core architecture as a deliberate marriage of classical Indian music and rock — a combination he acknowledged sounds unusual on paper. 'The combination of a classical raag and rock music may sound unusual. We're talking about fusion, but it wasn't a confused mix; it was a perfectly balanced combination,' he explained.
The Raag at the Heart of the Song
Sukhwinder identified Raag Bhairavi as the classical foundation of 'Dard-E-Disco', noting that the raag permeates the entire composition rather than appearing as a mere ornamental touch. 'Every song has some connection to a raag, but while singing this one, the melody and rhythm made me feel as though I was engaged in a form of worship, immersed in a spiritual mood,' he said.
He added that the song's lyrics — 'O Haseena, O Neelampari, dil mein mere hai Dard-E-Disco' — contributed to its distinctive identity, calling them 'very unique' for a high-energy dance number of that era. Notably, the song blended an operatic classical alaap with a pulsating club arrangement, a structural choice that was rare in mainstream Bollywood at the time.
Why He Still Practices It Before Every Performance
Despite having performed the song countless times over nearly two decades, Sukhwinder said he never treats it as routine. 'Even today, whenever I perform the song on stage, I remind myself that I should practice and sing that opening alaap properly, staying true to the same raag from which it originated. The song never really moves away from that raag,' he said.
This candid admission underscores the technical rigour that classical-fusion compositions demand from performers — a discipline that can easily be compromised in the high-tempo environment of live concerts.
The Indian Idol Moment That Sparked the Revelation
The conversation was triggered by contestant Chaitanya Devadhe's performance, which had Sukhwinder, Vishal Dadlani, Shreya Ghoshal, and fellow contestants dancing on the floor. Sukhwinder also referenced Ghoshal's own experience with classical-rock fusion, pointing to her collaboration with Dadlani on Student of the Year as a parallel example of the genre.
Indian Idol continues to stream on Sony LIV alongside its television broadcast.