Maggie Gyllenhaal: Cinema is 'fundamentally, unavoidably political'
Synopsis
Key Takeaways
Hollywood actress and director Maggie Gyllenhaal, serving as jury president of the Venice Film Festival, declared on Wednesday that cinema is “fundamentally, unavoidably political” — a statement that landed against the backdrop of ongoing conflicts in Gaza, Ukraine, and West Asia, and deepening unrest in the United States.
Cinema as a Vehicle for Empathy
At the festival’s press conference, Gyllenhaal was asked directly whether cinema should be political given the current global crisis. Her response was unequivocal. “OK. May as well get into it,” she began, before arguing that the medium’s political character is inescapable.
“Look, we could say, how are we possibly here talking about movies right now when the world is in a state of emergency? To me, the answer has something to do with empathy. I think that film allows an opening into an opportunity to find empathy inside of ourselves,” she said.
She extended the argument to morally difficult subject matter: “I think we can challenge ourselves to hear stories about the most corrupt, most perverse people because it opens up the opportunity to find empathy for those people. I am here open. I am here curious.”
The Gender Gap in Venice’s Competition Lineup
Gyllenhaal was also pressed on the near-absence of female directors in this year’s main competition. Only one film in contention for the Golden Lion — the drama ‘Woman Unknown’ by Danish-Egyptian director May El-Toukhysolely — was solely directed by a woman.
Her initial response was pointed sarcasm: “I guess it’s finally become clear that men make better movies than women do.” She then pivoted to a direct structural critique.
“I will answer you seriously. There’s a systemic problem. It’s harder for women to get films financed. Could it be possible that women, having had a different experience of being alive in the world, want to make movies about — are not always deemed high art? Who decides what’s good? Who decides what is valuable?” she added.
What Her Remarks Signal for the Festival
Gyllenhaal’s dual role — as a working filmmaker and as the festival’s top juror — gives her remarks unusual weight. Her willingness to name systemic financing barriers and question the gatekeeping of ‘high art’ sets a tone for how this edition of Venice may approach questions of representation and relevance. This comes amid a broader industry reckoning over gender parity in awards circuits globally.