CM Shivakumar visits Karnataka Bronze Ware show in Mysuru
Synopsis
Key Takeaways
Centuries of craft, alive in metal — Karnataka Chief Minister D.K. Shivakumar walked through the Kaveri Emporium in Mysuru on Wednesday, 11 November 2026, taking in the intricate bronze sculptures and artefacts created by the state's master artisans at an exhibition organised by the Karnataka State Handicrafts Development Corporation (KSHDC).
What the CM said at Kaveri Emporium
Shivakumar, visibly engaged with the artworks on display, underlined that preserving and promoting Karnataka's traditional arts, culture, and handicraft heritage was 'the responsibility of all of us.' He added that introducing the significance of these crafts to the next generation was equally essential — a message directed as much at policymakers as at the public visiting the exhibition.
Karnataka Bronze Ware — a craft the state calls its pride
Karnataka's bronze-casting tradition, known locally as kanchina vasthugalu (bronze articles), spans centuries and encompasses devotional idols, decorative panels, and utilitarian objects shaped through the ancient lost-wax casting technique. The state government, through the KSHDC, periodically stages exhibitions and maintains emporia like the one in Mysuru to give artisans a platform that the open market increasingly struggles to provide. Mysuru itself has long served as a cultural hub for Karnataka's craft ecosystem, with the Kaveri Emporium acting as a government-backed marketplace and showcase space.
Artisan visibility at the centre of cultural outreach
The Chief Minister's visit is part of a broader pattern of leadership-level engagement with Karnataka's handicraft communities — appearances that lend visibility to artisans who often work in isolation and depend on institutional support for access to markets. The KSHDC functions as the primary state conduit for training, marketing, and exhibiting the work of these communities. Shivakumar's emphasis on intergenerational transmission echoes messaging on intangible cultural heritage that southern Indian state governments have consistently amplified over the past decade.
Whether Wednesday's visit translates into new artisan-support schemes, expanded Geographical Indication (GI) tag pursuits for Karnataka crafts, or a bigger platform at national cultural festivals will be the real test of intent.